The Best Little Conference You Never Heard Of

Ever heard of the Indianapolis Christian Writers Conference? I hadn't until a couple years ago when I stumbled on its website. God made it possible for me to be there this weekend, and I highly recommend it.

One hundred seventy-four writers from seventeen states and Canada gathered at the Wesleyan Church World Headquarters on the north side of Indy to hone their craft, fellowship and worship with other writers, and meet in one-on-one consultations with a cadre of professionals--literary agents, editors, and established writers.

Best-selling author Angela Hunt (above), whose books have won the coveted Christy award, along with several other honors, was the keynote speaker. Her experience in writing everything from children's picture books to non-fiction and adult novels equipped her to encourage and inspire writers, no matter where they were on their journey.

She equated writing to constructing a building. Both the builder and the writer need the correct tools, and both need to work hard. With the "write" tools, one can build "words, sentences, even books."

I loved Hunt's style. She was natural, intimate, and professional all at the same time. She interacted easily with her audience and kept us smiling--sometimes giggling--while conveying serious points. And she wasn't afraid to chase a rabbit or two, if they happened to cross her path.

I wish I could have attended all the sessions, but that just isn't possible. I was twice blessed to hear Les Strobbe (left), whose credentials would fill this blog space. Saturday's topic was "Are Agents Really Necessary?" Since he is one, he was qualified to address the subject. I expected him to say, "Absolutely!" He did, going into detail about the value and responsibilities of an agent. He also discussed how one should go about seeking an agent, not necessarily accepting the first one to show interest in one's work.

On Saturday Strobbe's topic was "Expanding Your Ministry through Writing." He urged attendees to examine their own areas of expertise and experience. How might we use our experience to minister to the Body of Christ or to reach others for Him? It was a thought-provoking session.

James Watkins (right), award-winning author of sixteen books and over 2,000 articles--and a great stand-up comedian, I might add--did a serious workshop on how to be humorous in our writing. First, he explained the value of humor as an attention getter and a teaching tool, and then he listed and defined the various types of humor. We laughed and learned.

Shannon Marchese (left), senior editor of fiction for WaterBrook Multnomah Publishing Group (a division of Random House), warned writers about "Speed Bumps in Fiction Writing." She gave us a handout that I intend to keep close by to review from time to time. Most of the ideas listed were familiar to me, but then I've studied my craft for a long time. We never finish learning to write well.

She warned against such things as:

Cheesy foreshadowing, when writers use cutesy devices which give the plot away (such as a boat named "incommunicado" when the problem in the marriage is poor communication);

Deus ex machina, endings that smack of the hand of God reaching down to suddenly right everything or endings that have a new unknown character suddenly appear as the cause of all the woes;

Flat characters--bad characters being over-the-top bad and good characters being too good, because both types are equally unbelievable and unlikeable;

Purple prose or overwriting;

Poor research, even in contemporary novels. "Know your cow-birthing scenes."

I entered the room for Andy Scheer's session "Is Your Manuscript Ready To Edit" feeling a bit sad, knowing it was the last session of the conference for this year. Scheer's upbeat style soon lightened my mood. As was the case with most of the presenters I heard, the sixty minutes allowed each session was not nearly enough to cover all he or she intended. Scheer could have used twice that.

He broke down the various aspects of our writing and explained how we could self-evaluate manuscripts, addressing issues related to both fiction and non-fiction. I liked what he said about point of view, suggesting that writers consider how a scene would change if related from a different character's POV.

 Todd Burpo, minister and author of the best-selling book Heaven Is for Real, also spoke. From the impassioned way he addressed his audience, it was clear he believed the account he gave.

Now you know about the Indianapolis Christian Writers Conference. The 11th annual conference is slated for the first weekend in November 2012. Mark your calendars to attend. Will I see you there?

Postscript:
Would you be so kind as to click to "Follow" this page? That means a lot to writers. Thanks much!

Write on!
Sharon

A Chat with Jennifer Hudson Taylor

An interview with the author of Highland Blessings

1. What intrigued you about fifteenth century Scotland so that you chose it as the setting for Highland Blessings?

I’ve always thoroughly enjoyed history, but there is something romantically intriguing about the late Medieval period and the clan system of the highlands. I’m amazed at how the clans can fight among themselves, and yet, fiercely defend each other against the English and any outsiders.

2. How did you choose the setting?

The setting of the loch where Akira nearly drowns is from an area in a park where I used to practice running. I was on the Cross Country team in high school and ran several miles a day. The rest of the scenes were a combination of my research of Scotland and castles and my imagination.

3. Does the story line of this novel parallel a particular Biblical account?

No, if there is a biblical parallel, it was not a conscious decision on my part. I originally wrote Highland Blessings as a secular novel in 1998. I didn’t convert it to Christian fiction until 2006 after I discovered Kathleen Morgan’s novel, Embrace the Dawn. Once I realized there was such a thing as a Christian fiction Scottish Medieval, I was elated and determined to try and get mine published.

4. Which comes first, the plot, the place, or the people? Why?

The people. I can’t write a story unless I’ve created a character sketch of the main characters. I can create a plot around the characters, but I think it is the people that make the story. I think that is why I tend to love character driven novels like Jane Austen’s stories.

5. Which novel was the more difficult to research, Highland Blessings or Beloved Liberty, your book set in early nineteenth century South Carolina?

Beloved Liberty required the most research. The story idea is loosely based on my real family history from the actual genealogy research I conducted on my Hudson line. Then I had to research slavery laws for 1810. It takes place during the Regency period of England, but the setting is on a rural plantation in SC. Most of my southern plantation knowledge is either during the colonial period before 1800 or much later in the Victorian period between 1840-1865, so I had to do extensive research for 1810.

6. How did the research between the two differ? The writing?

The writing is very different as the two books contain different cultures, accents in the dialogue, and time periods. The vocabulary for Highland Blessings in 1473 is extremely limited compared to 1810, so in that regard Highland Blessings was harder to write. I had to keep looking up alternative words for those words that were not yet in existence. It was difficult to verify some of the clothing in 15th century Scotland. There are so few authentic references and most date from the late 16th century. For instance, the Scottish kilt as we know it today was not in existence until around 1725, nor wore the family clan tartan colors.

7. How do you develop your characters?

I develop a character sketch that includes physical traits and personality traits. Each character must have at least one spiritual flaw, and one personality flaw, if appropriate, even a physical flaw. In Highland Blessings, Akira MacKenzie is extremely tall for a woman, and she isn’t very fond of her auburn hair. In Beloved Liberty, Catherine Oakes has a mole on her cheek that she thinks is hideous, but the hero views it as a beauty mark. The last thing I establish is their background, their goals, and why they want to achieve them and how they will go about achieving those goals based on their personality and character.

8. How do you name your characters?

Names are very important. I use the Character Naming Sourcebook, and I sound out first and last names aloud. I run them by my husband. I even look up street names and small towns in the areas where the novel is set. I do this because lots of streets and towns are named after the local people and families in the area.

9. What is your writing regimen?

I don’t have a set schedule because I work another full-time job. I squeeze writing in between lunch hours, doctor visits, evenings, weekends, road trips while my husband drives, wherever and whenever I can. Sometimes I fear that my writing won’t be as good as others who have the opportunity to sit down and really concentrate and work on their novels throughout the day. Then I quit feeling sorry for myself and just deal with it.

10. What has surprised you most about the whole process, from inception of the idea to release of your debut novel?

When I first received the contract offer, the release date was a whole year and half away. I’m surprised at how fast that time passed.

11. What have you learned about God through this journey?

I’ve learned that God will help me in ways that I never imagined. He is with me the whole way and He inspires me through loved ones, inspirational verses, and dreams.

12. What advice do you have for unpubbed writers?

Never give up. Persevere and press through.

Thank you so much for taking the time out of your busy schedule to chat with us today. May God bless you with much writing success. We're really looking forward to your next novel.